Who is the Angel of the North in the Bible?

The Angel of the North, a striking contemporary sculpture by Antony Gormley, graces the landscape of Gateshead, Tyne and Wear, England, capturing the attention and admiration of all who encounter its magnificence. While this iconic structure is an awe-inspiring piece of art, the title “Angel of the North” also has historical and biblical connotations that delve into the celestial hierarchy of angels, as described by Thomas Heywood in his notable work, “Hierarchy of Blessed Angels” (1635).

Antony Gormley’s Artistic Masterpiece:

Before we embark on the exploration of the biblical Angel of the North, let’s appreciate the modern masterpiece that stands as a testament to contemporary artistry. Created by renowned artist Antony Gormley, the sculpture is a symbol of creativity, innovation, and the power of artistic expression. It’s important to note that the biblical context of the Angel of the North refers to a different realm altogether.

Thomas Heywood’s Hierarchy of Blessed Angels:

In Heywood’s work, “Hierarchy of Blessed Angels,” the concept of the Angel of the North is intertwined with the celestial beings described in a hierarchical order. According to Heywood’s interpretation, Uriel is identified as an angel associated with the earth, specifically the southern direction. The list of angels presented by Heywood is intriguing and includes Uriel (south), Michael (east), Raphael (west, also serving as a governor of the south, alongside Uriel), and Gabriel (north).

Uriel: The Angel of the Earth:

In the biblical context, Uriel is often regarded as an archangel associated with wisdom, enlightenment, and as Heywood suggests, the earth. Uriel’s presence in the south within the angelic hierarchy positions him as a guardian of the earthly realm, symbolizing the interconnectedness of celestial forces with the elements of the natural world.

Heywood’s Unique Perspective:

Thomas Heywood’s “Hierarchy of Blessed Angels” provides a distinctive insight into the celestial order, attributing specific roles and directions to the archangels. While the Angel of the North, as envisioned by Heywood, may differ from the contemporary sculpture by Antony Gormley, both interpretations add layers of meaning to the concept of celestial beings.

As we admire Antony Gormley’s Angel of the North in Gateshead, it’s fascinating to explore the historical and biblical context associated with the title. Thomas Heywood’s “Hierarchy of Blessed Angels” invites us to consider the intricate relationships between angels and the cardinal directions, emphasizing the symbolic significance of celestial beings in various realms. The convergence of artistic expression and historical references enriches our understanding of the Angel of the North, inviting contemplation on the intersection of art, spirituality, and cultural interpretation.