On Sunday, December 10, the world bid farewell to Michael Blakemore, an iconic director and a trailblazer in the realm of theater. Blakemore, who achieved the unique distinction of being the only director in Tony Awards history to secure two wins in a single year, succumbed to a brief illness at the age of 95. The announcement of his passing was made by the London-based United Agents literary and talent agency.
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Blakemore’s directorial legacy spans both the illustrious West End and Broadway, leaving an indelible mark on the theatrical landscape. His impressive repertoire includes acclaimed productions such as “A Day in the Death of Joe Egg” (1968), “Noises Off” (1983), “City of Angels” (1989), “Lettice & Lovage” (1990), and “The Life” (1997), among numerous others. Notably, he etched his name in the annals of the Tony Awards by achieving an unprecedented feat in 2000 – winning Best Director of a Play for “Copenhagen” and Best Director of a Musical for the revival of “Kiss Me Kate.”
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Born on June 18, 1928, in Sydney, Australia, Blakemore commenced his directing journey in 1966 at the Glasgow Citizens’ Theatre, where he assumed the role of Artistic Director. His breakthrough came a year later with the transfer of the Citizens’ Theatre production of Peter Nichols’ drama “A Day in the Death of Joe Egg” to the West End, followed by a successful move to Broadway in 1968, garnering Tony nominations for Blakemore, Nichols, and stars Albert Finney and Zena Walker.
A prolific collaboration with playwright Michael Frayn bore fruit in 18 shows, most notably the farcical gem “Noises Off,” which transitioned from the West End to Broadway in 1983, enjoying a run of 553 performances. In 2000, Blakemore and Frayn joined forces for “Copenhagen,” securing three Tony Awards and solidifying Blakemore’s historic night. The same year, the musical revival of “Kiss Me, Kate,” under Blakemore’s direction, earned several Tonys, cementing his unparalleled success.
Blakemore’s cinematic contributions include directing “Privates on Parade” (1982), starring Denis Quilley and John Cleese, and “Country Life” (1994), an adaptation of Chekhov’s “Uncle Vanya,” featuring Sam Neill.
In 2007, Blakemore directed Angela Lansbury in the Broadway production of Terrence McNally’s “Deuce,” marking the beginning of a fruitful partnership. Two years later, they reunited for the Broadway revival of Noel Coward’s “Blithe Spirit,” earning Lansbury her fifth Tony Award. This collaboration remained a highlight in Blakemore’s later career, showcasing his enduring impact on the stage.
As we bid farewell to this luminary, Michael Blakemore’s contributions to the world of theater and film will continue to resonate, ensuring his legacy lives on in the hearts of those touched by his transformative work.


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