Fernando Botero is a well-known Colombian painter and sculptor who is well-known for volumizing things and figures. Subjects in his work include abuses of power, the Mona Lisa and daily life in Colombia, all of which are brought together by Botero’s exaggeratedly chubby figures.
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As shown in his 1967 work The Presidential Family, this stylization known as “Boterismo” is frequently read as a strong social critique. He thought, “An artist is drawn to certain forms without understanding why. “You adopt a position intuitively, and only later do you attempt to rationalize or even justify it.” Botero was born on April 19, 1932, in Medelln, Colombia, and was raised between pre-Columbian and Spanish colonial buildings.
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What techniques did Fernando Botero use?
Botero started experimenting with scale and proportion in the 1950s. He had already established his signature style by the time he relocated to New York City in 1960: the portrayal of chubby, plump people and animals. He referred to Latin-American folk art in these pieces by using flat, vivid color and sharply defined outlines.
What is the massacre by Fernando Botero?
He addressed a representation of the misdirected rebel rocket attack that killed about 120 people in 2002’s oil painting “Massacre in the Cathedral.”


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